This weekend is the final weekend for the 19th Annual Portland Open Studios Tour and I’ll have my studio open. If you’re in Portland, come check me out Saturday and Sunday, 10am – 5pm each day, at my studio at SW 71st Ave/Ashdale in Portland. Visit my website for details and my address – http://www.davidcastleart.com.
And just for visitors, I’ll have all artwork in my studio priced at 10-75% off regular prices, plus see more about how I paint my abstracts and hear about my upcoming Residency trip to the Arctic Circle!
I think we’re officially into the dog days of summer here in Portland with temps expected to rival our all-time high of 107 this week. Even though it’s summer, this is one of my least-favorite times of the year. Heck, I’m hot if the temperature is above 65!
The good news is that my studio is air-conditioned and cool, so I’ve been working on larger and larger oil-and-metallic-watercolor abstracts. But, I think the psychological effect of the heat outside is impacting my success since I’ve recently failed at two attempts of a 52 x 52 inch original… each has clear process mistakes in them and the overall finished paintings just failed to come together. And, due to my unique process of layering oil paints and metallic watercolors, these aren’t “fixable”.
I must keep trying though, as I must finish a spectacular 52 x 52 inch painting for a special exhibit that starts in September… the dog days are ticking!
I’m having a summer studio sale! I’ve selected 16 (or so) original paintings on canvas and have marked them down by 50%. Check out the selection from my studio wall below and let me know which favorites you’d like to add to your collection! Sale goes through Saturday, July 15th.
Top two rows: 12 x 12 inches; 50% off price = $200 each
Bottom row, left to right: Painting #1 is a collage of 100 mini metallic silver squares, 24 x 24 inches, 50% off price = $600; Paintings #2-4 are a collage of mini metallic squares,18 x 18 inches, 50% off price = $325 each
I’ve posted more snapshots of these paintings, plus a few bonus ones on my Instagram.
It has been awhile since I posted a snapshot of my studio… I’d sure be lost without my large, main studio table that I got at The Ohio State University’s surplus warehouse before we moved out to Portland! In fact, I’ve found several pieces of great “studio furniture” at university surplus stores, so if you’re looking for furniture you might check with your local universities to see if they sell surplus furniture and equipment.
For the last month and a half, I’ve been working on a large commission triptych project for a client’s office. Today I’ll apply the final coat of varnish, so the project is nearly complete. And, my client loves these paintings, so… yay!
However, the last week of finishing these paintings up has me stuck between loving them… and not loving them. In general, I love my birch tree paintings and, with this particular set, think I captured (from left to right) a solid feeling of Summer, Autumn and Winter. In fact, I wish I was sitting smack in the middle of the Autumn panel right now!
So why am I sometimes feeling that “I love them not”? Is there something wrong with my composition across these 3 panels? Is it just my usual feeling of depression that I experience whenever I finish a painting?
The horrific events in Orlando have taken over my creative process in my studio since it happened nearly two weeks ago. As an artist, I paint what I’m thinking and feeling – first I paint in my mind (often while I’m supposed to be sleeping!) and then, ready or not, I put paint to paper in my studio.
As a gay American, tragedies like Orlando impact me deeply. My own family has rejected me on this “issue” and I’m saddened that hate and anything but complete acceptance, still fills many people on this planet.
So, I paint. And then I paint more as I process what happened in Orlando and the 49 young people who died. The painting below, one of my Pacific Northwest Rains series, is one that I finished this week. I’m conveying the lives of 49 colorful people (as the stripes on the bottom) who are being transported through a black line into whatever silvery “light” is above and next for them.
I’ll never forget what happened in Orlando and will be painting many more as I try to make sense of people like the shooter… and my own family.
I’m still getting settled into my new studio space on the northwestern edge of Portland’s Pearl District. My space is small – about 1/4 the size of my studio in Columbus (and more expensive!). For now, I’m making it work!