Artist Intermission: Anxiety and Depression

I’m in a bit of an “artist intermission” full of anxiety, and the familiar depression that I’ve battled for many years. Nope, not a glamorous star here bringing awareness to those of us who live with depression and anxiety. And, I don’t have the resources to completely “take time off” to check in to a place of wellness to work on myself. Although I’m happy for those creatives who can work on their own wellness with time off and a dedicated (even inspirational) place to do it.

For me, I’m still here – in my home studio which has sat empty and alone for the past several weeks, just waiting for me to come back. I’ll admit that I’m acutely struggling right now.

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Not much going on here lately…

Meanwhile, some of you have asked what I do with myself?

Well, I sleep a lot. I’ve worked on office chores such as household budgeting and financial actuals. I sit in my green leather studio chair and pet studio cat Stan. I managed to finally update my website with snapshots from my Arctic Circle Expedition. I take pills and go to talk therapy. I attempt to help myself with hard-to-crack wellness workbooks. And, I generally try to get back into things I’ve enjoyed in days gone by like gardening… one weed pulled at a time.

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I’ve had this self-help workbook for months… I’m on page 18. ¬†ūüė¶

I miss painting my abstracts… I really do. Hopefully a new and inspirational project will come along for me soon. In the meantime, I’ll just try to tread water.

And a big thank-you to my husband, Steve, who through it all, helps and loves me lots.

The Arctic Circle Expedition – Icy Inspirations

I’ve always been inspired by anything water – rain, puddles, the Pacific. And the frozen water of the arctic circle didn’t disappoint me in how it all inspired my paintings made onboard the ship and once I returned to my Portland studio.

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Arctic sunset behind the tall ship Antiqua.
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Flat icebergs in front of the glacier at Blomstrandbreen.
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Icy blues and greens near Ny-Alesund.
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Setting up a safe perimeter among the ice.

 

 

The Arctic Circle Expedition – Part 3

Daunted by the experience itself and the 900 snapshots I took on the Expedition, I’ve clearly taken several months off from blogging more about my trip. Today I finally finished going through all of my snapshots, pulling out the better ones for publishing here on my blog and posting on my website.

The good news is that in the meantime, I completed the last larger commissions for my Kickstarter backers in late February, so everyone now has their arctic abstracts – over 80 that I painted – all inspired by my time in the ice and cold of the arctic circle.

Preparing for the Expedition, I had thought I’d be able to possibly paint on a table set up on the outside deck of the ship. But after two failed attempts to paint in the cold, snow and wind, I set up a makeshift studio on my bunkbed in my shared cabin. ¬†Tight quarters for sure, but I made it work and at least was out of the extreme elements!

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Tight painting quarters on the bunkbed in my shared cabin.
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Yes, for this hot-blooded guy, I did actually feel cold for most of the trip!
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Our first glacier hike.
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The glacier at Esmarkbreen.

Dog Days of Summer, 2017…

I think we’re officially into the dog days of summer here in Portland with temps expected to rival our all-time high of 107 this week. Even though it’s summer, this is one of my least-favorite times of the year. Heck, I’m hot if the temperature is above 65!

The good news is that my studio is air-conditioned and cool, so I’ve been working on larger and larger oil-and-metallic-watercolor abstracts. But, I think the psychological effect of the heat outside is impacting my success since I’ve recently failed at two attempts of a 52 x 52 inch original… each has clear process mistakes in them and the overall finished paintings just failed to come together. And, due to my unique process of layering oil paints and metallic watercolors, these aren’t “fixable”.

I must keep trying though, as I must finish a spectacular 52 x 52 inch painting for a special exhibit that starts in September… the dog days are ticking!

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My studio set up, ready to start another 52 x 52 inch original!

Record October Rains Helped Me Paint This

I love my art-making process –¬†it’s my favorite part of being an artist. And, I’ve worked for more than 12¬†years now to hone the¬†processes I use to make art.

We had record October rain here in Portland.¬†I thought alot¬†about my process as the rain came down and I painted several new originals¬†for my Pacific Rains Series. You might have noticed that I now mount my original paintings onto “cradled” wood panels. I love both the process and the finished result and have shared snapshots of both below.

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After mounting my paper “canvas” onto panel, I’m ready to trim the edges.
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“Through The Forest”, oil and metallic watercolor, 30 x 30 inches, SOLD.

All original paintings on my website are mounted on panel like this with crisp, finished
edges. Check out what’s available to add to your collection
by clicking here ==> www.davidcastleart.com.

TBT: “Purple Day”

One of my all-time, most favorite paintings I’ve made is “Purple Day”. Finished back in 2005 and sold right here in Portland at the Art in the Pearl festival, I miss this painting every time I think of it.

As an artist, I have many of my own paintings that I rotate on my own walls at home and a few – maybe five – that I consider in my “permanent” collection… “Purple Day” would have been a fine addition to that collection!

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“Purple Day”, watercolor, 18 x 18″, 2005. Fine art reproduction prints available at http://www.DavidCastleArt.com