With the galleries and boutique shops that carry my original abstract artcards closed for now, I’ve received several requests for them directly from my art fans. So, since my inventory is low, I’ve been ramping up production in my studio and want to show you a bit about how I make them.
I started making original artcards a few years ago as a way for folks to keep in touch with family and friends “the old-fashioned way” – a hand-written note sent snail mail style right to their mailbox. And, the artcards are designed to be ready to pop into a favorite frame and added to the art collections of your family and friends. Or maybe they’ll be simply displayed in your kitchen as refrigerator art or in your office on an inspirational bulletin board. I think it’s a pretty versatile little piece of original art!
My most recent “batch” of mini abstracts starts as a larger painting on paper – typically 12 x 16 inches – in my layered oil and metallic watercolor style that I call my Pacific Rains Series.
After a good week of drying/curing (the solid oil paints I use contain a wax component that allow them to dry quickly), they get a few coats of spray varnish to set the metallic watercolor layer and protect the painting from light damage.
Once the varnish layer has dried, I’m ready to cut the larger painting up into my mini abstract squares – each measuring 2.5 x 2.5 inches. I just use my artist’s eye to gauge where to make cuts so I end up with mini square abstracts that I like.
Finally, on some, I add a bit of acrylic paint to finish each abstract. Now they’re ready to glue-mount to blank cardstock. I use Italian-made Fabriano Medioevalis cards that I think present the abstracts nicely.
I just popped this mini abstract into a fun, silver metal frame and love it! This’ll be a hint at another blog post to come about my mini abstracts that I mount for original artcards.
I haven’t been liking much of what I’m doing in my studio since the lockdown started nearly 2 weeks ago, but loved this mini so much that I just had to share today! And, the cool colors remind me of the now-closed Oregon coast beaches that I love so much.
I’m in a bit of an “artist intermission” full of anxiety, and the familiar depression that I’ve battled for many years. Nope, not a glamorous star here bringing awareness to those of us who live with depression and anxiety. And, I don’t have the resources to completely “take time off” to check in to a place of wellness to work on myself. Although I’m happy for those creatives who can work on their own wellness with time off and a dedicated (even inspirational) place to do it.
For me, I’m still here – in my home studio which has sat empty and alone for the past several weeks, just waiting for me to come back. I’ll admit that I’m acutely struggling right now.
Meanwhile, some of you have asked what I do with myself?
Well, I sleep a lot. I’ve worked on office chores such as household budgeting and financial actuals. I sit in my green leather studio chair and pet studio cat Stan. I managed to finally update my website with snapshots from my Arctic Circle Expedition. I take pills and go to talk therapy. I attempt to help myself with hard-to-crack wellness workbooks. And, I generally try to get back into things I’ve enjoyed in days gone by like gardening… one weed pulled at a time.
I miss painting my abstracts… I really do. Hopefully a new and inspirational project will come along for me soon. In the meantime, I’ll just try to tread water.
And a big thank-you to my husband, Steve, who through it all, helps and loves me lots.
I’ve always been inspired by anything water – rain, puddles, the Pacific. And the frozen water of the arctic circle didn’t disappoint me in how it all inspired my paintings made onboard the ship and once I returned to my Portland studio.
Daunted by the experience itself and the 900 snapshots I took on the Expedition, I’ve clearly taken several months off from blogging more about my trip. Today I finally finished going through all of my snapshots, pulling out the better ones for publishing here on my blog and posting on my website.
The good news is that in the meantime, I completed the last larger commissions for my Kickstarter backers in late February, so everyone now has their arctic abstracts – over 80 that I painted – all inspired by my time in the ice and cold of the arctic circle.
Preparing for the Expedition, I had thought I’d be able to possibly paint on a table set up on the outside deck of the ship. But after two failed attempts to paint in the cold, snow and wind, I set up a makeshift studio on my bunkbed in my shared cabin. Tight quarters for sure, but I made it work and at least was out of the extreme elements!
By the way, I had two very simple goals for my time on the Antigua in the Arctic Circle…
Soak up the frozen landscape: I was mainly looking forward to seeing glaciers and lots of ice and was certainly not disappointed!
Paint my abstracts: I committed to painting smaller abstracts (12 x 12” and smaller) for my Expedition Backers (from Kickstarter) and completed them just before the end of the trip.
Now begins the project to get them all sealed with spray varnish/fixative and ready to ship out in November!
Here’s a snapshot from the ship as we departed a calm but cold fjord (Ymerbukta) on the second day.
The water in this fjord was calm enough to start freezing… you can just see the thin frozen layer in this snapshot. Every day was a new opportunity to soak up the frozen landscape around Svalbard!
The Antigua from a hike up to a glacier in Esmarkbreen.
I’m still working through all of the over 800 snapshots I took with my little travel camera, so will have more to post soon!
Well, since my last post, I’ve been fully outfitted, made all of my preparations… and have actually GONE ON MY ARCTIC EXPEDITION!
Most folks are more interested in the actual trip and what I experienced while in the arctic circle than all of my preparations anyway. So in a multi-part series of posts, I’ll be sharing my most favorite images and observations of my travels in and around Svalbard (Norway) and the Arctic Circle.
I did have some fun trying to pack up all of my cold-weather gear and art supplies, but finally got everything down to a manageable size and packed up!
After a day and a half of travel, I arrived in Longyearbyen, Svalbard which is about 78 degrees (north) and 800 miles from the North Pole. I would spend the next 2 weeks aboard the tall ship Antigua, sailing the arctic circle around Svalbard, soaking in the frozen landscape and painting my abstracts.
Here’s a snapshot of the first glacier we visited… and, after a nice hike, that I actually got to touch!
And here’s me looking (and feeling) pretty darn cold (it was in the teens and 20’s most of the time throughout the Expedition).
Finally, here’s a snapshot of the tall ship Antigua that I spent 2 weeks on, along with 27 other artists, 4 guides and 7 crew!
I think we’re officially into the dog days of summer here in Portland with temps expected to rival our all-time high of 107 this week. Even though it’s summer, this is one of my least-favorite times of the year. Heck, I’m hot if the temperature is above 65!
The good news is that my studio is air-conditioned and cool, so I’ve been working on larger and larger oil-and-metallic-watercolor abstracts. But, I think the psychological effect of the heat outside is impacting my success since I’ve recently failed at two attempts of a 52 x 52 inch original… each has clear process mistakes in them and the overall finished paintings just failed to come together. And, due to my unique process of layering oil paints and metallic watercolors, these aren’t “fixable”.
I must keep trying though, as I must finish a spectacular 52 x 52 inch painting for a special exhibit that starts in September… the dog days are ticking!
After 2 months of anticipation, I just learned that I was one of a few artists chosen, out of hundreds of international applicants, for the 2018 Autumn Arctic Circle Residency Expedition!
As an artist primarily inspired by place and water, I’m sure this will prove to be the expedition of a lifetime and I couldn’t be more excited!
In October 2018, I’ll be traveling nearly 4,000 miles from my studio in Portland, Oregon to our port of call, Longyearbyen, Svalbard. Near the edge of the polar ice cap, Longyearbyen is a mere 600 miles south of the North Pole and is about the same distance north of the Norwegian mainland. And yes, it is truly the land of icebergs and polar bears!
For nearly three weeks in October 2018, I will sail on an ice-class barkentine tallship, exploring the arctic region around the Svalbard archipelago. I’ll be joined by a small group of artists, educators and scientists for this once-in-a-lifetime residency program. Yes, I have nearly a year and a half to wait, prepare (and raise funds!), but that enables me to focus on other events already on my calendar for this coming autumn here in Portland.
Stay tuned in the coming months for more info and thoughts as I prepare for this epic adventure! In the meantime, I’d love to hear from anyone who has traveled to this part of the Arctic – please share with me and my readers what you thought of your adventure!
It has been awhile since I posted a snapshot of my studio… I’d sure be lost without my large, main studio table that I got at The Ohio State University’s surplus warehouse before we moved out to Portland! In fact, I’ve found several pieces of great “studio furniture” at university surplus stores, so if you’re looking for furniture you might check with your local universities to see if they sell surplus furniture and equipment.
What will be my inspiration/guiding light/catalyst/focus for the New Year? I’ve done this exercise in past years and find that brainstorming The List is a pretty interesting process. And maybe this year I’ll leave it at just that and glean from the process rather than the choice of a single word. I’ll give myself a few days to percolate on that!