My Arctic Circle Expedition is still months away (I leave on September 28th, 2018), but I’m trying to take advantage of end-of-season sales to get myself better outfitted for the Arctic.
Some of you know me as the guy who wears shorts year-round (Denver, Columbus, Portland… doesn’t matter!). I’m usually warm, so I just don’t have much colder-weather gear in my closet. But, on a recent winter trip to Boise, I was reminded that I CAN actually get cold, so I need to be prepared for the Arctic by planning on more than shorts and tees for my wardrobe.
Trying on big, puffy jackets isn’t a whole lot of fun for me and I began to overheat in the snapshot below, but here I am hitting an end-of-season sale for warm outerwear that I just don’t have…
Nearly a year ago, I posted that I was accepted for a truly epic artist’s residency: The Arctic Circle 2018 Autumn Arts & Sciences Expedition in October, 2018.
Wow. I’m super excited as the super-long anticipation and lead time gets shorter… 18 months from when I was accepted has now shrunk to just 6 months. And, I’m thrilled to announce that after a month-long campaign on Kickstarter to raise the funds necessary to participate, I am fully funded!
A huge thank-you to those Backers on Kickstarter who pledged funds now to receive paintings of various sizes at the end of this year to help me get to the Arctic Circle. Now that I’m through the funding phase, I have lots of work to do to get organized, outfitted for the Arctic environment and experiment with how I’ll paint my abstracts on a ship in the middle of the Arctic Circle!
As a guy who generally likes to be well-prepared, I’m thinking this summer will go quickly and in no time I’ll be in the Arctic, soaking up the frozen inspirations and making art… somehow and of some sort!
This weekend is the final weekend for the 19th Annual Portland Open Studios Tour and I’ll have my studio open. If you’re in Portland, come check me out Saturday and Sunday, 10am – 5pm each day, at my studio at SW 71st Ave/Ashdale in Portland. Visit my website for details and my address – http://www.davidcastleart.com.
And just for visitors, I’ll have all artwork in my studio priced at 10-75% off regular prices, plus see more about how I paint my abstracts and hear about my upcoming Residency trip to the Arctic Circle!
Did you know that I dream my paintings before I actually paint them? Well, I do — whether a daydream among a stand of rustling trees, or a dream while I slumber under blackberry skies, I see my next paintings vividly in my head before they ever hit my paper canvas. Huh… just like Vincent van Gogh who said simply, “I dream my painting, and then I paint my dream”.
And, if we’re talking about how my process is like the Masters, Picasso explained it in more detail this way:
“How can you expect a beholder to experience my picture as I experienced it? A picture comes to me a long time beforehand; who knows how long a time beforehand, I sensed, saw, and painted it and yet the next day even I do not understand what I have done. How can anyone penetrate my dreams, my instincts, my desires, my thought, which have taken a long time to fashion themselves and come to the surface, above all to grasp what I put there, perhaps involuntary.”
Here’s a large format painting I made after dreaming of trees and sky:
I think we’re officially into the dog days of summer here in Portland with temps expected to rival our all-time high of 107 this week. Even though it’s summer, this is one of my least-favorite times of the year. Heck, I’m hot if the temperature is above 65!
The good news is that my studio is air-conditioned and cool, so I’ve been working on larger and larger oil-and-metallic-watercolor abstracts. But, I think the psychological effect of the heat outside is impacting my success since I’ve recently failed at two attempts of a 52 x 52 inch original… each has clear process mistakes in them and the overall finished paintings just failed to come together. And, due to my unique process of layering oil paints and metallic watercolors, these aren’t “fixable”.
I must keep trying though, as I must finish a spectacular 52 x 52 inch painting for a special exhibit that starts in September… the dog days are ticking!
I’m having a summer studio sale! I’ve selected 16 (or so) original paintings on canvas and have marked them down by 50%. Check out the selection from my studio wall below and let me know which favorites you’d like to add to your collection! Sale goes through Saturday, July 15th.
Top two rows: 12 x 12 inches; 50% off price = $200 each
Bottom row, left to right: Painting #1 is a collage of 100 mini metallic silver squares, 24 x 24 inches, 50% off price = $600; Paintings #2-4 are a collage of mini metallic squares,18 x 18 inches, 50% off price = $325 each
I’ve posted more snapshots of these paintings, plus a few bonus ones on my Instagram.
Once in awhile I complete a painting that is especially meaningful to me. I just finished such a painting, “Pooled on the Horizon”, and thought I’d share its story with you.
One scene in our natural world that inspires my paintings is the horizon line between sky and ocean. I’ve spent many hours watching the horizon line as presented by the Oregon coast over the last 30 years. It is always a seemingly simple line, but is also full of the infinite complexities of the sky and ocean that extend far beyond my tiny vantage point.
One of my Pacific Rains Series, “Pooled on the Horizon” is my capture of a moment in this simple-yet-complex oceanscape. A moment when the sky is raining down silver rivulets and “pooling” upon piles of clouds resting heavily on the horizon line. And the sea? All quiet, calm and clear below but with the evermore movement of the waves and tide in and out. It’s a gray day for sure, but the colors are infinite. Lots of dark and bright metallic silvers in the sky and deep indigo and frothy whites in the sea. Studying this painting now in my Portland studio transports me instantly to this scene on the Oregon coast.
As I worked on this painting, I referenced some of the countless photos I have taken of the Pacific coast over the years. Each photo puts me at that vantage point where I can soak up the horizon and everything above and below. Now completed, I love this depiction – what do you think?