I launched my annual Spring Studio Sale and have selected over 30 original abstracts that are 50-75% savings from my regular prices. I love having my sale so I can clear out a bit of space in my studio AND send people home with some new art for their collections.
I just popped this mini abstract into a fun, silver metal frame and love it! This’ll be a hint at another blog post to come about my mini abstracts that I mount for original artcards.
I haven’t been liking much of what I’m doing in my studio since the lockdown started nearly 2 weeks ago, but loved this mini so much that I just had to share today! And, the cool colors remind me of the now-closed Oregon coast beaches that I love so much.
It has really been too long since I’ve posted… but, over the holidays I did spend some good time in my studio going back to one of my old and favorite painting styles.
I occasionally feel the pull to go back to my roots of pure watercolor paintings after having spent the last few years exploring my mixture of oils and metallic watercolors. Fueled by this pull and the interest in submitting some work to the upcoming Western Federation of Watercolor Societies annual exhibit in Boise this year, I painted two watercolor abstracts in my “Elementals” style in December.
I rediscovered how a very steady hand is required for painting my Elementals! And how this is mainly achieved through lots of practice and patience, both of which I’ve been a bit out of while painting my oil abstracts. I consider my oil abstracts much more “gestural mark-making” while my Elementals are a more exacting and technical painting process.
I painted two Elementals to submit to the Western Fed exhibit, one (above) in a more representational style of autumn trees and the second (below) in a more true abstract style. I submitted both, so we’ll see what response they get!