I’ve been painting while I process the recent shooting in Colorado Springs this past weekend. At first I felt numb and just “jumbled up”. As I painted these rainbow colors, weary sadness and sharp anger is what holds me now.
I firmly believe from my own experiences and observations that this is the result of the non-acceptance and hate TAUGHT and FOSTERED by many on this planet of so many people, but especially LGBT+ folks just being themselves. Just being the people who God created them to be.
To the many conservatives out there – this means YOU! And if you truly believe that your own heart and mind are hate free, you continue to elect leaders with loud voices who don’t accept, who oppress, who voice false nonsense and hate about those different from you. And if you remain silent while this goes on and people die, your hands are bloody too.
And for some of my family members – “love” without full acceptance isn’t love at all. It’s hate and fosters this world where people are killed just for being themselves.
I’m done trying to change minds and hearts about acceptance and love. Now I’m working to support those who are hated and in crisis because of it.
With the galleries and boutique shops that carry my original abstract artcards closed for now, I’ve received several requests for them directly from my art fans. So, since my inventory is low, I’ve been ramping up production in my studio and want to show you a bit about how I make them.
I started making original artcards a few years ago as a way for folks to keep in touch with family and friends “the old-fashioned way” – a hand-written note sent snail mail style right to their mailbox. And, the artcards are designed to be ready to pop into a favorite frame and added to the art collections of your family and friends. Or maybe they’ll be simply displayed in your kitchen as refrigerator art or in your office on an inspirational bulletin board. I think it’s a pretty versatile little piece of original art!
My most recent “batch” of mini abstracts starts as a larger painting on paper – typically 12 x 16 inches – in my layered oil and metallic watercolor style that I call my Pacific Rains Series.
After a good week of drying/curing (the solid oil paints I use contain a wax component that allow them to dry quickly), they get a few coats of spray varnish to set the metallic watercolor layer and protect the painting from light damage.
Once the varnish layer has dried, I’m ready to cut the larger painting up into my mini abstract squares – each measuring 2.5 x 2.5 inches. I just use my artist’s eye to gauge where to make cuts so I end up with mini square abstracts that I like.
Finally, on some, I add a bit of acrylic paint to finish each abstract. Now they’re ready to glue-mount to blank cardstock. I use Italian-made Fabriano Medioevalis cards that I think present the abstracts nicely.