I Dreamt of Trees and Sky… and Painted This

Did you know that I dream my paintings before I actually paint them? Well, I do — whether a daydream among a stand of rustling trees, or a dream while I slumber under blackberry skies, I see my next paintings vividly in my head before they ever hit my paper canvas. Huh… just like Vincent van Gogh who said simply, “I dream my painting, and then I paint my dream”.

And, if we’re talking about how my process is like the Masters, Picasso explained it in more detail this way:

“How can you expect a beholder to experience my picture as I experienced it? A picture comes to me a long time beforehand; who knows how long a time beforehand, I sensed, saw, and painted it and yet the next day even I do not understand what I have done. How can anyone penetrate my dreams, my instincts, my desires, my thought, which have taken a long time to fashion themselves and come to the surface, above all to grasp what I put there, perhaps involuntary.”

Here’s a large format painting I made after dreaming of trees and sky:

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“Dreamt of Trees and Sky”, oil and metallic watercolor on panel, 52 x 52″, $5,400.
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Dog Days of Summer, 2017…

I think we’re officially into the dog days of summer here in Portland with temps expected to rival our all-time high of 107 this week. Even though it’s summer, this is one of my least-favorite times of the year. Heck, I’m hot if the temperature is above 65!

The good news is that my studio is air-conditioned and cool, so I’ve been working on larger and larger oil-and-metallic-watercolor abstracts. But, I think the psychological effect of the heat outside is impacting my success since I’ve recently failed at two attempts of a 52 x 52 inch original… each has clear process mistakes in them and the overall finished paintings just failed to come together. And, due to my unique process of layering oil paints and metallic watercolors, these aren’t “fixable”.

I must keep trying though, as I must finish a spectacular 52 x 52 inch painting for a special exhibit that starts in September… the dog days are ticking!

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My studio set up, ready to start another 52 x 52 inch original!

Summer Studio Sale

I’m having a summer studio sale! I’ve selected 16 (or so) original paintings on canvas and  have marked them down by 50%. Check out the selection from my studio wall below and let me know which favorites you’d like to add to your collection! Sale goes through Saturday, July 15th.

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Painting Details
  • Top two rows: 12 x 12 inches;  50% off price = $200 each
  • Bottom row, left to right: Painting #1 is a collage of 100 mini metallic silver squares, 24 x 24 inches, 50% off price = $600; Paintings #2-4 are a collage of mini metallic squares,18 x 18 inches, 50% off price = $325 each
I’ve posted more snapshots of these paintings, plus a few bonus ones on my Instagram.
To see more of these paintings on Instagram click here —> David Castle Art Instagram.

Thanks for looking, and happy summer!

Studio Snapshot

It has been awhile since I posted a snapshot of my studio… I’d sure be lost without my large, main studio table that I got at The Ohio State University’s surplus warehouse before we moved out to Portland! In fact, I’ve found several pieces of great “studio furniture” at university surplus stores, so if you’re looking for furniture you might check with your local universities to see if they sell surplus furniture and equipment.

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David Castle Studio – February, 2017

Record October Rains Helped Me Paint This

I love my art-making process – it’s my favorite part of being an artist. And, I’ve worked for more than 12 years now to hone the processes I use to make art.

We had record October rain here in Portland. I thought alot about my process as the rain came down and I painted several new originals for my Pacific Rains Series. You might have noticed that I now mount my original paintings onto “cradled” wood panels. I love both the process and the finished result and have shared snapshots of both below.

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After mounting my paper “canvas” onto panel, I’m ready to trim the edges.
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“Through The Forest”, oil and metallic watercolor, 30 x 30 inches, SOLD.

All original paintings on my website are mounted on panel like this with crisp, finished
edges. Check out what’s available to add to your collection
by clicking here ==> www.davidcastleart.com.

I love them… I love them not…

For the last month and a half, I’ve been working on a large commission triptych project for a client’s office. Today I’ll apply the final coat of varnish, so the project is nearly complete. And, my client loves these paintings, so… yay!

However, the last week of finishing these paintings up has me stuck between loving them… and not loving them. In general, I love my birch tree paintings and, with this particular set, think I captured (from left to right) a solid feeling of Summer, Autumn and Winter. In fact, I wish I was sitting smack in the middle of the Autumn panel right now!

So why am I sometimes feeling that “I love them not”? Is there something wrong with my composition across these 3 panels? Is it just my usual feeling of depression that I experience whenever I finish a painting?

What do you think?

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“Tall Birch Trees – Summer, Autumn, Winter”; oil and metallic watercolor on panel (middle panel is 45×18″).

TBT: “Purple Day”

One of my all-time, most favorite paintings I’ve made is “Purple Day”. Finished back in 2005 and sold right here in Portland at the Art in the Pearl festival, I miss this painting every time I think of it.

As an artist, I have many of my own paintings that I rotate on my own walls at home and a few – maybe five – that I consider in my “permanent” collection… “Purple Day” would have been a fine addition to that collection!

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“Purple Day”, watercolor, 18 x 18″, 2005. Fine art reproduction prints available at http://www.DavidCastleArt.com